Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Paul Klee
Crucifiers and spiral flowers

ID: 38888

Paul Klee Crucifiers and spiral flowers
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Paul Klee Crucifiers and spiral flowers


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Paul Klee

German 1879-1940 Paul Klee Gallery was a Swiss painter of German nationality. His highly individual style was influenced by many different art trends, including expressionism, cubism, and surrealism. He was a student of orientalism. Klee was a natural draftsman who experimented with and eventually mastered color theory, and wrote extensively about it. His works reflect his dry humor and his sometimes child-like perspective, his personal moods and beliefs, and his musicality. He and his friend, the Russian painter Wassily Kandinsky, were also famous for teaching at the Bauhaus school of art and architecture.  Related Paintings of Paul Klee :. | la belle jardiniere | Herbarium | Senecio | The Thistle flower house | Senecio |
Related Artists:
Peter Franchoys
Peter, Peeter or Pieter Franchoys or Francois (1606-1654) was a Flemish Baroque painter from Mechelen, who painted an altarpiece of Calvary influenced by Anthony van Dyck for the St. Gummarus church in Lier, Belgium. [edit] Biography He first learned to paint from his father, Lucas Franchoys the Elder, and later from Gerard Seghers in Antwerp . In 1631 he traveled in France and is recorded being in Fontainebleau. In 1646 he became a member of the Mechelen schutterij and in 1649 he became a master in the Guild of St. Luke there. According to Houbraken he was known for his landscapes with small figures, that attracted the admiration of Archduke Leopold Wilhelm of Austria, for whom he painted many years. His work is memorialized in the Gulden Cabinet of the poet from Lier, Cornelis de Bie.
Theodule Ribot
Saint-Nicolas-d'Attez, 1823-Colombes 1891. was a French realist painter. He was born in Saint-Nicolas-d'Attez, and studied at the École des Arts et Metiers de Chalons before moving to Paris in 1845. There he found work decorating gilded frames for a mirror manufacturer; he also studied in the studio of Auguste-Barth??l??my Glaize. After a trip to Algeria around 1848, he returned in 1851 to Paris, where he continued to make his living as an artisan. In the late 1850s, working at night by lamplight, he began to paint seriously, depicting everyday subjects in a realistic style. He made his Salon debut in 1861 with several paintings of kitchen subjects. Collectors purchased the works, and his paintings in the Salons of 1864 and 1865 were awarded medals. Ribot painted domestic genre works, still-lifes, portraits, and religious scenes. His preference was for painting directly from nature, emphasizing the contrasts of light and dark. His use of chiaroscuro to suggest psychological states grew from his admiration for Spanish and Dutch baroque masters such as Ribera and Rembrandt, an enthusiasm shared by his contemporaries Courbet and Bonvin. Members of Ribot's family are the likely models for many of his figure compositions, in which the subjects engage in humble activities, such as preparing meals or gathering in groups to read to each other. The light draws attention to faces and hands, which emerge sharply from dimly lit surroundings. Although the realism of Ribot's work aligns him with the most progressive artists of the generation preceding the Impressionists, he was no revolutionary,
Anders Montan
(1845 -1917 ) - Painter






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